This book contains revised selected papers from the Second International Conference on Information Technologies for Performing Arts, Media Access and Entertainment, ECLAP 2013, held in Porto, Portugal, in April 2013. The 24 papers presented were carefully reviewed and selected for inclusion in this book. Hifzul Iman Pdf.

They are organized in topical sections named: perspectives and (digital) strategies for cultural heritage institutions; trust, quality and tools for cultural heritage digital libraries; educational services for the performing arts; dance in the world of data and objects; acting and natural interaction; and music and opera of a digital generation.

Tafterjournal n. 97 - NOVEMBRE DICEMBRE 2017 di Ilaria Gobbi e Lucia D'Ambrosi Abstract The content of this article is the analysis of Web communication strategies used by corporate museums. The main goal of the research is to analyze the Italian corporate museum’s communication in order to first review the digital identity and the reach and engage operations used by them. Through several indicators, the study highlights both strengths and weaknesses of the online strategies used by those samples, which have been selected among Museimpresa partner museums operating in the commodities sector of design. Tafterjournal n. 90 - SETTEMBRE OTTOBRE 2016 di Andrea Spasiano This paper focuses mainly on issues related to digital tourism with connection to the italian context, in an attempt to show the potentiality offered by the GIS for the development of the tourism sector. For this reason, it will be reported exemplifying cases, of which features and purposes will be highlighted.

Sviluppo software nell'ambito dell'incarico ricevuto dall'Archivio di Stato di Firenze per l'elaborazione dei dati relativi ai fondi catastali. Ai Workshop Nazionali del Progetto ArtNet, finanziato dal Programma Europeo eLearning, per la creazione di uno spazio virtuale per la condivisione di fonti per l'insegnamento dell'arte.

The digitisation represents a new challenge for the tourist offer in Italy. Some studies and proposals promoted by TD Lab (2014) and by the association ItaliaDecide (2014) have highlighted the need for innovation in the italian tourism sector. The digitisation of tourist services therefore offers the opportunity to reaffirm the competitiveness of an industry with enormous potentiality and resources, but that shows signs of criticality and stagnation. Before examining aspects closely related to digital, it will focus on the concept of tourism and its recent developments. The latter in fact, depend on the growing segmentation of demand, pivoted on the search for new experiences and authentic by the tourist. From this perspective it is seen how the tourist promotion is closely connected with the practices of cultural enhancement and marketing strategies, linked to digital communication. Tafterjournal n.

88 - MAGGIO GIUGNO 2016 di Simone Lucido e Maurizio Giambalvo 1. Cultural sites Online Visibility Online visibility of a a cultural site can be considered a strong indicator of the institutional ability to activate the cultural heritage. Hand in hand with the spread of the Internet and its penetration into everyday social practices of millions of people, the search for contents relating to a travel destination or a specific monument, has gradually shifted in terms of strategic influence from traditional channels – such as print media, television broadcasts, word of mouth – to online information resources (websites, blogs, forums, social networks).

This holds particularly true for Culture and Tourism search, generally conducted by people with medium-high education levels and some experience in the use of Internet. The spread of smartphones and the increased connectivity accelerate such trends, so that an ever growing number of people plan their trips via websites or mobile applications. A study on The Impact of Online Content on the European Tourism [1] highlighted a positive correlation between the presence on the internet, resulting in greater availability of data and information accessible online and the ability to some destinations to attract increasing flows of visitors: Destinations that make greater use of the internet in reaching customers have performed better than their peers in recent years. These destinations have gained market share from competitors, even after accounting for some other factors.

Developed markets which have seen the largest gains in market share all have relatively high internet penetration, making good use of online channels to reach customers. Theory [] suggests that this is largely due to improved information flow supporting the market.

Greece, Italy and Spain all have low internet penetration and only Italy has experienced any notable gains in market share over recent years (Oxford Economics 2013, p. Tafterjournal n. 86 - GENNAIO FEBBRAIO 2016 di Maria Di Bello Reflection moves from the analysis on today’s relations between the art field and science. The dialogue between the two cultures, focused on reciprocity and the plurality of explanatory codes, it tries the emergence of a third culture, founded on knowledge consilience. The epistemological premise on the discussion of the person’s development is enriched by contributions of neuroaesthetics and psychoneuroimmunology.

Modelling Binary Data Collett Pdf Viewer. The latest scientific fact highlights how exposure to an “enriched environment” prenatally determine the trajectories of the individual and influences the development of those skills and adaptive behavior needed to have a healthy psychological growth. The art and cultural participation, essential cofactors of this enrichment, rise to powerful motor of modulation of the epigenesis of behavior and embryological processes of maturation.

Recent disquisition on the perception of the nature dichotomous of aesthetic object guides us in understanding how is essential to our becoming intentional culture subjects experiencing art since the early stages of life. The interaction between art and science is currently experiencing its environmental enrichment, thanks to the contribution of the cultural industries that not only are interpreters of this interaction, but also a vehicle for new motives of investigation and knowledge. Tafterjournal n.

84 - SETTEMBRE OTTOBRE 2015 di Federico Tarquini A red icon on a blue coloured background. Notification: Tom has shared a picture on your timeline. A ringtone and vibration, the phone’s screen lights up, a message appears: Richard has sent you a picture. The quantity of images that people each second of every day take and spread digitally is an unmeasurable phenomenon. Due to its extraordinary contribution, it is like counting the grains of sand in a desert. Together with the certainly interesting numerical-quantitative data, reflection on the growing meaning of these social activities of taking and sharing images (for the individual as well as the community), is needed. This introduction first of all provides a snapshot of today.

A huge number of reports from the most important research institutes tell us about the growing number of uploaded as well as shared images on social networks. (Nielsen, Ericson Consumer Lab, etc.). The reports suggest, more or less intentionally, “how” the analysed data appears in the social contexts by telling us the “quantum” of a given percentage.

The “how”, that is the communicative nature of the contemporary digital image, raises many doubts and provides the focus for much research today. The productive growth of images helped by the devices’ dematerialization – a topic worthy of a separate publication – doesn’t just appear as mere quantitative data. It also indicates the cultural, communicative and social growth of activities and processes more and more relevant today. Product together with action. Tafterjournal n. 78 - dicembre 2014 di Angelica Basso The advent of the Digital Era and, subsequently, of Media Culture has not only changed the way we think, act and interact with the world but also interfered with our more basic motor skills and the way our body operates in the outside world.

Digital or not, the ability to move our body and see how others are able to do so is simply to be able to feel, to experience a tangible reality and not to be divorced from physical contact, being that a sensory or visual one. We just need to remember to learn how to do things and recognize the world as we used to do as children, through touch.

Perhaps it would be better to go back to using our senses as interface, even with the invention of Google glasses. Tafterjournal n. 76 - ottobre 2014 di Francesca De Gottardo e Valeria Gasparotti Not unlike Italy, the cultural institutions of the United States are part of a prism returning different shades of quality in managing new digital tools. Let us take social media as an example for all: when asked to specify the issues they most frequently encountered in managing online communication, the American professionals gave answers amazingly similar to those of their Italian counterparts. What they pointed out were lack of time – often deriving from chronicle budget deficits to hire new staff, and low to non-existent digital awareness in their colleagues, making it difficult to manage the workflow efficiently in order to achieve better quality content. Tafterjournal n.

70 - aprile 2014 di Eugenia Morato This article aims to understand if an efficient museums’ online presence can strategically impact on and improve their promotion and the way they are perceived by potential visitors. Visitors can engage and support a museum more if they feel like they had a part in providing feedback or have ownership in something because the feedback they gave was implemented. Through digital strategies, used as a bridge to get in touch with people from all over the world, cultural institutions can engage the audience in a deeper emotional way. Tafterjournal n.

66 - dicembre 2013 di Arthur Clay e Monika Rut Over the last few years, we have been witness to the emergence of the use of the virtual in public space. The manifestation of the virtual and the interplay of it with the real are changing the concept of public space and the perception of art that is now being presented in it. The integration process of the virtual into the real is also clearly affecting the way in which cultural institutions are now presenting and meditating art, as well as how this process is bringing the demand for new and innovate ways to link the virtual to the real. Tafterjournal n.

64 - ottobre 2013 di Giorgia Lupi *UrbanSensing is a two year funded European Union project, it involves six European Partners, that all contribute their specific expertise and skills in the fields of the project. The project will bring a new product to the urban design, city planning and urban management market: a platform extracting patterns of use and citizens’ perceptions related or concerning city spaces, through robust analysis of User Generated Content (UGC) shared by the city users and inhabitants over social networks and digital media. The platform will allow to analyze users’ perceptions related to specific geographic areas and understand how population reacts to new urban policies within participatory mechanisms. Tafterjournal n. 61 - luglio 2013 di Vanessa Michielon This contribution aims at outlining a theoretical framework for the interpretation of some recent trends in museum exhibition design, based on the technological paradigm of Natural Human Computer Interaction. Performance and performativity from the perspective of performance studies are employed as references to propose a new definition of “performative museum”.

Here the discourse is formulated mainly through interactive movement-based technologies and emphasis is placed on bodily experiences and expressions, on processuality and on the accomplishment of performative acts, aimed at specific communicative goals.